This rejection of rap as a legitimate art form is indicative of a much wider ignorance of the genre, as well as its overlooked historical context in society.
In this collection of essays, Scialabba is able to infuse character into his steady prose.
With its enthralling, yet sobering, effect, “Model Peril” brings light to histories of American people that have nearly been all but erased.
“Boston Strangler” goes beyond a simple murder mystery, highlighting the struggles of ambitious women in the workplace and the uncertainty of justice.
A Grammy award-winning rapper and a visiting scholar at MIT, Lupe Fiasco led an event for Harvard Law School affiliates to learn about the Royal Game of Ur this March.
“COINTELSHOW” offered a masterful, creative use of a virtual setting, but other elements left much to be desired.
The casting of predominantly white actors for characters based on people of color serves as an act of appropriation some have dubbed as “blueface.”
Templeman points out a certain freedom in learning to play music, not by the instruction of a book, but by the personal will of the artist.
Alongside a live performance, “Emotive Land” featured pre-recorded routines accessible through an app which allowed passersby to calibrate their location and view a dance set in their current environment.
As Harvard Warns of Disciplinary Action, Pro-Palestine Groups Apologize for Antisemitic Image
Amid Backlash to Antisemitic Post, Harvard Professor Resigns From Pro-Palestine Groups
The Antisemitic Cartoon Is Everything Wrong With Discourse on Campus
Harvard President Garber, Corporation Condemn Antisemitic Image Posted by Pro-Palestine Groups
‘Unmistakably Antisemitic’: Harvard College Dean Khurana Slams Student Groups Over Instagram Post