Arts
A Critical Eye: Alternative Visions of Motherhood at the Harvard Film Archive
“Mildred Pierce” (1945) explores the lengths to which a mother would go in order to protect her children.
‘Notes on Infinity’ Review: In Search of Immortality — At Harvard
“Notes on Infinity" is a solid story of a biotech start-up cultivated in the petri dish of ambition that is Harvard.
‘The POMtastics!’ Review: Student Film Reminds Viewers that Youth is a Mindset
Anna Carroll shows audiences that age is nothing but a number with “The POMtastics.”
From Boston Calling 2025: Vampire Weekend Caps Off The Weekend With A Charming Performance
Vampire Weekend’s performance gave each song room to breathe, allowing moments for the band to jam out in a way that added energy to each song.
‘The Light in the Piazza’ Review: Love is Blonde
Even if the show doesn’t live up to auditory expectations, “The Light in the Piazza” is a feast for the eyes.
'The Light in the Piazza' Performance Photo
Joshua Grosso and Sarah-Anne Martinez in “The Light in the Piazza.”
‘Is a River Alive?’ Review: A Stilted Love Letter to the Natural World
Ecological, nonfiction work "Is A River Alive?" explores the animacy and integrity of nature, but suffers from awkward pseudo-poetic statements.
Is Deinfluencing Just Another Aesthetic?
Deinfluencing, originally meant to challenge the influencer economy, now runs the risk of becoming its own consumption-seeking performance.
Deinfluencing Graphic
Deinfluencing has become popular across social media platforms — but is it really all that it seems?
Title: Artist Profile: Anika Liv Christensen ’26 on Changing the World One Piece at a Time
“No matter what I do, I’m not going to be able to stop being an artist,” Anika Liv Christensen ’26 said in an interview with The Crimson.
