Crimson staff writer
Galila M. Gray
Latest Content
“Admission” Stars Apply Themselves
At a press conference in New York City, the director and stars of "Admission" answered questions about the filming and motivation of the upcoming movie.
Tori Amos Experiments With Classical Motifs
Amos maintains her trademark ethereal vocals and cryptic, pointed lyrics throughout “Night of Hunters,” yet also reaches beyond her established sound. The risks she takes are often successful, but some may be off-putting for those who are accustomed to her older work.
Further than the Shredder
There comes a time, during a behind-a-desk internship in New York, when you realize that your only weekday exercise is the hurried walk back and forth from your desk to the shredder in the room next door.
If You Can Make It There
Only a seasoned commuting professional can avoid the guy who will unapologetically elbow you in the arm every time he switches sections of the newspaper.
Conference Discusses Changes in Soldiers' Experiences
A two-day interdisciplinary conference that examined the changing experiences of soldiers in modern society was hosted by the Humanities Center last weekend.
David H. Miller ’11
The talented conductor and double bassist reflects on his Harvard career
Students Vie For Coop Board Positions
When Harvard students walk into the Coop, their main concern tends to be the price of textbooks, but some students have taken a greater interest in the bookstore. Ten Harvard students are currently running to join the 34-member board of the Harvard Cooperative Society. Although the Board can't lower the price of books, many of the candidates hope to open the lines of communication between the Coop and the student body.
Low Turn Quiet Grandeur Into Stirring Emotions
The songs are not laden with superfluous frills or overly dramatic lyrics: instead, simple melodies confidently stand on their own and make the album play like a laid-back, ten-movement symphony—a cohesive work in which all the songs fit firmly into a well-defined aesthetic structure.
OFA Brings Collaborative ‘Viewpointe’
The OFA’s “Dancers’ Viewpointe 11” exudes a sense of student collaboration
Preview: Faustus
With actors splashing paint and navigating through water onstage, it’s safe to say that the Harvard-Radcliffe Dramatic Club’s (HRDC) version of Christopher Marlowe’s “Faustus” is anything but traditional.
Lupe Fiasco Sacrifices Originality on ‘Lasers’
“Lasers” brings nothing new to rap, and instead finds Lupe settling for uninspired albeit pleasant pop-influenced tracks with catchy hooks.
Portrait of an Artist: Isabel Q. Carey '12
Isabel Q. Carey ’12 is the president of the Harvard-Radcliffe Dramatic Club (HRDC) and has been involved in an on-campus production every semester that she’s been at Harvard. As a member of the HRDC executive board, she also oversees more than 10 shows per semester.
Shakira Brings Voice as Artist and Advocate to Cultural Rhythms
The Sanders stage hosts Shakira and 28 student groups during 2011’s Cultural Rhythms showcase
Yeston Discusses ‘Nine,’ Fergie
A full house in Harvard Hall 201 on Tuesday, February 15 welcomed Yeston to Aesthetic and Interpretive Understanding 31: “American Musicals and American Culture,” taught by William Powell Mason Professor of Music Carol J. Oja.