Arts
‘300 Paintings’ Review: The Most Innovative Live Performance You’ll See This Year
Kissajukian’s humor does not trivialize the weight of his illness, but instead familiarizes, endears, and humanizes someone living with bipolar disorder.
‘Comedy is Not the End Goal’: Sam Kissajukian Embraces the Interdisciplinary in ‘300 Paintings’
"Comedy is a great way to create accessibility — if you can keep people laughing, it stops their defense mechanisms from going up," Kissajukian said.
Fall On Campus: Autumnal Vignettes from Crimson Arts
I’ll notice the red leaves gathering on the edges of the wood, the lily pads fading beneath the autumn rainfall; the light wood growing darker from the water.
‘The Museum of Unnatural Histories’ Review: A Disappointing Daze of Dissociative Tales
“The Museum of Unnatural Histories” takes readers on a confusing, 104-page journey through a disjointed collection of times and spaces.
‘MACBETH’ Review: Sparse Staging Becomes a Burden in Mixed Triumph
While the restrained staging invited intimacy and allowed the supporting cast’s arias to shine, the production often faltered under its own minimalism.
'The Museum of Unnatural Histories' Cover
Cover of "The Museum of Unnatural Histories" by Annie Wenstrup.
‘The Magician of Tiger Castle’ Review: Louis Sachar’s Absurdly Intuitive Fairytale for Adults
“The Magician of Tiger Castle” is a fairytale that asks the question: When do I change for the better, even if it goes against who I’ve always been?
‘Deadbeat’ Album Review: A Trippy, Tentative Return
“Deadbeat” feels like more of a snapshot of Parker’s troubled psyche than a holistic representation of Tame Impala as an artist.