Crimson staff writer
Leah M. Maathey
Latest Content
‘Ellbogen’ Review and Q&A at Coolidge Corner Theater: Adolescence and Alienation
In the end, “Ellbogen” delivers a powerful, politically and culturally charged story of a young woman finding herself in the wake of a life-altering event.
My Letterboxd Top Four: Your New Favorite Movies
In sharing my Letterboxd top four, I hope to inspire you to create an account and, at best, inspire you to watch one or two or all of my favorite films.
Fostering Community Ownership and Unity: Inside CultureHouse’s Union Square Pop-Up
CultureHouse and its pop-ups are an exercise in visibility and representation as much as they’re a means of enhancing local communities.
Harvard Authors Profile: Tom W. Seeman ’85 on Crafting A Faithful Memoir
Tom W. Seeman '85 hopes to convey the importance of “small kindnesses,” specifically kindness through service, in his memoir "Animals I Want To See."
Telling Her Story: Vignettes for Women’s History Month
Here are The Crimson’s Arts Board’s favorite books and authors to turn to in reflection on gender, womanhood, and femininity.
Immersive Surrealism: Exploring Nobuhiko Obayashi’s ‘House’ at the MFA’s Annual Festival of Films from Japan
The MFA’s annual Japanese film festival is an excellent forum to spotlight Japanese film whilst broadening the scope of fine art.
‘Waiting in Vain’ Review: Daniel Caesar’s Reimagining of a Caribbean Anthem
This song embodies the coexistence of present and past, of homeland and diaspora, of son and father. It tells the story of anyone who has ever experienced longing.
