Crimson staff writer
Ria S. Cuéllar-Koh
Latest Content
‘Sardines (a comedy about death)’ Review: A Not So Grim Reaper at The Huntington
There is no extraordinary revelation about death at the end of "Sardines," but that may be its most realistic revelation altogether.
McGonagle's Photo
The first floor of McGonagle’s resembles a typical pub, albeit with more elegant upholstery.
McGonagle’s Review: Pub Lives Up to the Publicity
In a city with a long history of Irish heritage, McGonagle’s is a fine addition to the rich tapestry of Irish culture.
‘Passengers’ Review: Reaching New Heights but Lacking Depth
“Passengers” at the American Repertory Theater provides thrills. Unfortunately, the story fails to match those heights.
‘The Light in the Piazza’ Review: Love is Blonde
Even if the show doesn’t live up to auditory expectations, “The Light in the Piazza” is a feast for the eyes.
‘Parade’ Review: One of America’s Most Shameful Tragedies, Expertly Told
“Parade” may be a dramatization, but the touring production of director Michael Arden’s Tony-winning Broadway revival stresses the real.
‘A Man of No Importance’ Review: Putting the Community in Community Theater
This sendoff production for director Daigneault brims with love for theater — not in its ideal, but rather in its embarrassing and unabashed eagerness.
Case for Best Picture: Vignettes by The Crimson’s Arts Board
Members of The Crimson’s Arts Board make the case for which of the 10 nominated films will win the prestigious Best Picture title.
‘Stage Kiss’ Review: Appropriately Steamy, If Not Smooth
“Stage Kiss,” presented by The Psych Drama Company, follows a showmance that blurs reality and performance as ex-lovers reunite.
Arts Vanity: Sleuthing Sondheim, or A Thank You to Amy Wilkins & Others (Whoever You May Be)
I encourage everyone to annotate their scripts and scores. Your enigmatic scribbles can provide enjoyment or enlightenment for someone in the future.
‘Diary of a Tap Dancer’ Review: Taking Time for Time
Aside from her incredible hoofing abilities, Casel has all the energy and charisma to helm the production.
The Show Must Go On: Tech Week Vignettes from The Crimson’s Arts Board
Tech week, also known as “Hell Week,” is the week before a theater production’s opening when everything needs to come together.
‘Did You Eat? (밥 먹었니?)’ Review: Emotional Projections
Zoë Kim’s autobiographical one-woman play ponders how to lead with love when your family denies it.
From Cartoons to Cannibalism: Spooky TV Shows to Watch on Halloween
Whether you’re looking for a thriller, a lighthearted paranormal comedy, or a grotesque storyline, there’s truly something here for everyone.
‘Gershwin Brothers’ Two Political Satire Musicals in Concert’ Review: Bites Off More Than It Can Chew But Still Goes Down Easy
The concert embraced extreme timeliness with a double bill of musical satires about presidential elections with music and lyrics by George and Ira Gershwin.
