Writer
J.J. Moore
Latest Content
Quiz: Which 2025 Oscars Best Picture Nominee Are You?
The Oscars just happened, and let’s be honest — you’re not thinking about the speeches or the upsets. No, the real question on your mind is: Which Best Picture Nominee am I?
The Show Must Go On: Tech Week Vignettes from The Crimson’s Arts Board
Tech week, also known as “Hell Week,” is the week before a theater production’s opening when everything needs to come together.
Independent Film Festival Boston Returns for Fall
IFFBoston’s Fall Focus gave attendees an invaluable opportunity to see films from celebrated directors alongside emerging voices in international cinema.
From Cannes: ‘Emilia Perez’ is a Daring and Surprising Musical
Jacques Audiard's newest film "Emilia Perez" has an audacious nature that ensures it will be a talking point long after the festival buzz subsides.
From Cannes: ‘Motel Destino’ is Filled with Desire and Desperation
“Motel Destino” is more than just a setting; it is a character in its own right.
From Cannes: ‘The Apprentice’ is a Riveting Portrayal of Trump’s Early Ambitions
“The Apprentice” distinguishes itself through its focus on character development and period authenticity.
From Cannes: ‘Anora’ is Sean Baker’s Latest Masterpiece
Baker’s “Anora” ultimately reaffirms his status as a poet laureate of the hustler class, capturing the beauty and struggle of his characters.
From Cannes: ‘All We Imagine As Light’ Illuminates Resilience in Love and Life
“All We Imagine as Light” is a remarkable film that seamlessly blends visual poetry with a profound exploration of personal and societal change.
From Cannes: ‘Grand Tour’ is a Hidden Gem
“Grand Tour” by Portuguese auteur Miguel Gomes proves to be one of the year’s most captivating cinematic masterpieces.
From Cannes: ‘Kinds of Kindness’ is a Twisted Triptych
Known for his unconventional style, Yorgos Lanthimos returns to his roots with his newest film “Kinds of Kindness.”
From Cannes: ‘The Substance’ is a Sparkling and Divisive Body Horror
It is nearly unimaginable to not feel seen by French director Coralie Fargeat’s “The Substance,” which premiered at the 77th Annual Cannes Film Festival.
Listicle: Films to Watch on 4/20
The best, unofficial holiday is just around the corner and picking the right movie is key to maximizing the 4/20 experience.
From the Boston Underground Film Festival: ‘Humanist Vampire Seeking a Consenting Suicidal Person’ Review: Not the Average Vampire Flick
While vampire stories are often interlinked with romance, this is a movie that breaks the norm and does so thoughtfully and hilariously.
Boston Underground Film Festival Returns
This year's Boston Underground Film Festival presents a great opportunity to get an early view of what could be some of 2024’s biggest indie hits.
