Crimson staff writer
Giselle P. Acosta
Latest Content
What the Hell Happened: Bad Karma for JoJo Siwa
At the end of the day, Siwa maintains the same tame, glittery aesthetic she claims she’s breaking out of.
From ‘Dune’ to ‘Barbie’: The Wonders of Method Dressing
In Hollywood, method dressing can transfer the magic of the silver screen to the red carpet and beyond.
What to Watch Before ‘Bridgerton’ Season 3
Read on for recommendations for the best TV shows to screen in anticipation of the new season of “Bridgerton!"
‘Avatar: The Last Airbender’ Remake: Resurrection or Denigration?
Emotional significance aside, the original “Avatar” set an important precedent for storytelling in television at large.
Artist Profile: Isa Peña ’23-’24 Talks A Cappella, ‘American Idol,’ and Entertainment Law
At the end of the day, she said, “What I want to do is just protect artists and make sure that the things that they make are their own.”
‘Hamlet’ Preview: Psychology and Tragedy
Hyperion Shakespeare Company's production of "Hamlet" aims to emphasize the characters’ interpersonal relationships and subsequent mental health struggles.
The Uglification of Fashion: Social Media and Maximalism Today
Once the novelty of casualness wore off, pop culture experienced an explosion of aesthetic excess, thrifting, and other cornerstones of the ugly fashion aesthetic.
What the Hell Happened: The Roman Empire Trend & Modern Masculinity
Many things about the Roman Empire, even the Roman Empire trend itself, don’t qualify as “manly" in a modern sense.
Cher’s ‘Christmas’ Review: A Strong Holiday Showing from an Industry Legend
Although spooky season is still upon us, pop icon Cher has already moved on to the next holiday with a new holiday album simply titled “Christmas.”
‘You & Me’ Single Review: An Exemplar of K-Pop Mediocrity
It is hard to believe that after five years, Jennie’s fans received a track whose synthetic shrieks overpowered their idol’s vocals.
‘The D’Amelio Show’ Season 3 Premiere Review: Why Are These People Famous, Again?
The stars of the show – the four D’Amelios themselves – simply aren’t that interesting to follow. The show makes them out to be just another rich family living in a soulless LA mansion.
