Crimson staff writer
Hannah E. Gadway
Latest Content
‘The Monkey’ Review: Making Horror Camp Again
Osgood Perkins makes weird films and “The Monkey” wields the director’s eccentricities to its benefit.
‘A Complete Unknown’ Review: Can A Bob Dylan Biopic Work?
James Mangold has proven himself to be a smart director who understands the age-old adage of “less is more."
Arts Vanity: Thank You, John Singer Sargent
Thank you, John Singer Sargent. You’ll never meet me, but when I look at the world through your eyes, it’s almost like I know you.
‘Wind and Truth’ Review: Sanderson Closes The First Arc of ‘The Stormlight Archive’ With a Bang
"Wind and Truth," the latest installment of Brandon Sanderson's The Stormlight Archive series, is satisfyingly epic despite its numerous perspectives.
Sugar & Spice Review: Cambridge’s Go-To Thai Spot
Over 17 years old, the reliably delicious and well-portioned Sugar & Spice should be your go-to Thai spot in Cambridge.
‘Blitz’ Review: McQueen’s Grandest Vision Yet
McQueen’s film is epic, awe-inspiring, and ambitious — and, at the end of the day, it doesn’t leave much of an impression.
‘The City in Glass’ Review: Beautiful and Bland
Nghi Vo has generated a stunning novel that takes the reader on a journey through grief, time, and love. Yet the reader may become lost in its beauty.
‘Juror #2’ Review: An Endearingly Old-Fashioned Film
Clint Eastwood keeps this film — which may be his last — endearingly old-fashioned, with a plot that deeply reflects on justice and moral responsibility.
The Music is Inside: Favorite Album Cover Art Vignettes
Here are some of The Crimson’s Arts Board’s favorite album covers, including some reflections on the music inside.
‘Joker: Folie à Deux’ Review: You Get What You Deserve
Nonetheless, the movie’s lack of thematic vision, poorly crafted script, and self-indulgence make the Joker’s second punchline fall disappointingly flat.
‘The Comeback’ Review: Healing Red Sox Nation’s Hearts
“The Comeback” is everything that a sports documentary needs to be — exciting, endearing, and emotional.
Judah & The Lion Concert Review: Trust the Process
Judah & The Lion’s live performances are a comforting reminder that we are all in this journey of life together.
‘Dalí: Disruption and Devotion’ Review: Getting to Know Dalí at the Museum of Fine Arts, Boston
This collection puts Dalí in context and shows the artist’s connections to different art genres.
Amba Review: A Delightful Addition to Cambridge
Amba is not necessarily revolutionary, but it makes smart choices and delivers on quality.
‘We Live in Time’ Review: A Bit Off Tempo
Pugh and Garfield deliver compelling performances, but "We Live in Time" overall lacks the directorial vision that could have made it truly shine.
