Campus Arts
How We Chose to End the World
"How We Chose to End the World" comes to Agassiz Theater next week
Museums Evening Looks Ahead
Harvard Art Museums faculty discussed prospective museum changes and innovations in anticipation of the new museum building's 2014 completion.
‘Piper’ Not Yet Happily Ever After
Writer-director Føhrby hopes to follow this two-weekend public workshop with a full staging at a later date, the early rendition of the script showed characters with absorbing emotional depth but a book and lyrics still in need of work.
Portrait of an Artist: Robert Glasper
Robert Glasper aims to fuse hip-hop with his traditional jazz roots.
Point/ Counterpoint: The Lowell House Bells
The Lowell House bells spark debates between Lowell residents and non-residents alike.
Boston Fashion Week Gets Wheels
Boston’s annual Fashion Week took place between September 27 and October 6, but four companies skipped the catwalk and strutted ...
‘Death’ Resurrected Through Solid Acting
"Cheating Death"—a piece made up of two one-act plays—boasted a very impressive first act, but faltered during its second, weaker half.
Time-Travelling ‘Star Ash’ Wows the Ex
While not without flaws, “Star Ash” succeeds in creating an air of the otherworldly, helped along by some solid acting and strong artistic decisions.
'World of Wires' challenges audiences at the ICA
“World of Wires” is a haunting satire of society’s over-dependence on technology. Through his unconventional direction, Scheib examines the inherent artificiality of theater—the idea that in many productions, playwrights, and actors want to convince the audience that a choreographed, scripted piece of art is in fact real life.
Great Animal Orchestra Makes Lots of Noise
The Great Animal Orchestra combines animal sounds and poetry.
Preview: Star Ash
"Star Ash," directed by Sara Batista-Pereira ‘13 and produced by Cassandra Rasmussen ‘13 and Sasha G. Miranov ’13, will run in the Loeb Ex.
