Music
‘The Giver’ Review: Chappell Roan Got The Job Done
A playful spin on the country music that Roan grew up with, it embraces queer sexuality with traditional country instrumentals and her stunning vocals.
‘CUPID’S GIRL’ Single Review: Cupid’s Arrow May Miss the Mark
MARINA’s newest single doesn’t offer a societal critique to be presented through a kitschy persona, nor does it explore any personal vulnerabilities.
‘Gethsemane’ Review: A Fantastic Return to Form
The single remains a pressing narrative accomplishment, clearly bringing the listener through the torments of a tumultuous — if not abusive — relationship.
Artist Profile: Jake Minch on Songwriting and Curiosity
Minch stands out for his risk-taking and not feeling the need to craft a perfectly unobjectionable or safe artist persona.
Whitechapel Concert Review: A Metalhead Ritual
Hearing the raging guitars, hammering drums, and especially Bozeman’s otherworldly and awe-inspiring vocals live was quite something to witness.
‘Hymns in Dissonance’ Review: Deathcore’s Finest
Whitechapel's latest album, “Hymns in Dissonance," is definitively deathcore, emerging as their most brutal album in years, possibly their most brutal ever.
Students Express Concern about Renovations to Eliot’s Bernstein Piano Room
As Eliot House prepares for extensive renovations, students expressed concern over the plans to remove a historic piano, donated to the house by Leonard Bernstein ’39, over spring break.
Artist Profile: Grace Enger on Turning Life to Gold Through Music
Through her music, concerts, and social initiatives, she continues to turn things in life to fond memories and positivities like a true alchemist.
‘It’s Amazing To Be Young’ Single Review: Is It Time to Ask For More?
With their simplistic new single, it becomes clear that six months later, they are perhaps not ready to diverge from this summer’s newfound tone just yet.
‘Ms. Whitman’ Review: A Clever Clapback
Instead of inviting the Dr. Phil’s audience to “catch me outside,” she invites Alabama Barker personally to tussle in her new single titled “Ms. Whitman.”
Molly Grace Concert Review: An Upcoming Pop Star Visits Home
Grace was nothing short of enchanting during her performance at The Sinclair, and she is sure to be welcomed back by her hometown for years to come.
‘Super Pedestrian’ Review: Walk Don’t Run!
DiRusso’s confidence shines throughout the project and it’s evident the album has been a product of her growth personally and as an artist.
‘Call Me When You Breakup’ Single Review: A Low-Effort Attempt at a Pop Comeback
Call me when Selena Gomez and Benny Blanco break up. Or at least, when they stop collaborating. In the meantime, I’ll be listening to any other solely Gracie Abrams song.
‘Alter Ego’ Album Review: Introducing the World to a New Woman
Lisa has never asked for permission — she doesn’t need to. With her debut solo album “Alter Ego,” she doesn’t just step into the spotlight, she sets it ablaze.
‘Kansas Anymore (The Longest Goodbye)’ Review: Role Model Finds Closure, Sort Of
Pillsbury provides a fitting end to his album with a nuance that possesses a sobering, if bittersweet, acceptance.
