TV
‘Bridgerton’ Season 3 Takes Inaccuracy Too Far
The style in the season veers quite far from that of the Regency era, taking away from the magic of a make-believe past.
‘Off With His Head’ Review: Hasan Minhaj Wants You to Like Him Again in New Comedy Special
The main problem with “Off With His Head” — which is, again, not unfunny — is that Minhaj seems to be preoccupied with asking for forgiveness — from everyone.
‘Stranger Things’ are Happening with Series Release Schedules
While TV may be mass-produced, we must remember that shows are still art, and there is merit to consuming art intentionally and meaningfully.
‘Outer Banks’ Season 4, Part 1 Review: Predictable Yet Entertaining
What “Outer Banks” does well, and has done well over the past four seasons, is its portrayal of the modern-day teen.
From Cartoons to Cannibalism: Spooky TV Shows to Watch on Halloween
Whether you’re looking for a thriller, a lighthearted paranormal comedy, or a grotesque storyline, there’s truly something here for everyone.
‘Shrinking’ Season 2 Premiere Review: Growing or Shrinking?
In the coming episodes, we may see Jimmy handle his grief head-on in a more healthy manner.
‘The Comeback’ Review: Healing Red Sox Nation’s Hearts
“The Comeback” is everything that a sports documentary needs to be — exciting, endearing, and emotional.
‘Heartstopper’ Season 3 Review: Characters Grow Up, and TV Shows Can Too
After over a year of waiting, everyone’s favorite queer comfort show is back and better than ever.
‘Abbott Elementary’ Season 4 Premiere Review: A Joyous Return
Season four’s lively return to the halls of Abbott is off to a joyous start. It’s got all the potential to be the best installment yet.
‘Disclaimer’ Review: A Dramatic Narrative of Vengeance
“Disclaimer” is about Catherine Ravenscroft (Cate Blanchett), a celebrated documentarian with a dark past.
Dancing with the Votes: The Fine Line Between Talent and Popularity
For many, “Dancing with the Stars” is undoubtedly an entertaining display, yet the lengths these stars have to go to in order to win are questionable.
‘Nobody Wants This’ is Messy, Dysfunctional, and Far Too Ambitious — and it Still Kinda Rocks
Have we seen it before? Of course we have. Will we see it again? Of course we will.
!['Monster[s]' Still](https://s3.amazonaws.com/thumbnails.thecrimson.com/photos/2024/09/30/204227_1373134.jpg.150x120_q95_crop-smart_upscale.jpg "'Monster[s]' Still")
‘Monsters: The Lyle and Erik Menendez Story’ Review: Twisted Retelling of a 1989 Murder Case Fails to Justify its Own Creation
“Monsters” is the perfect example of how true crime often has no business being dramatized.
‘English Teacher’ Premiere Review: A Hilarious Portrait of the Modern Classroom
The premiere episode of “English Teacher” is hilarious, relatable, and not afraid to make edgier jokes that poke fun at the current state of the world.
Failure to Launch: A Defense of ‘My Lady Jane’
“My Lady Jane” had an ineffective marketing strategy which minimized its chances of commercial success from the get go.
