For once, I’m sure the poem on my palm had nothing to do with my mother.
I think the poem had something to do with camels
And how their fifth knee is located on their stomachs,
And of course it had something to do with the immortal jellyfish
Who is constantly aging and turning into a polyp of itself to be reborn
In the next deep-sea wave.
Somehow, everything I ever write on my palm is a fact about an animal,
Even email addresses I etch onto my skin are somehow stand-ins
For the regeneration of earthworms.
I can never seem to get any deeper than pen markings on palms—
Even here, on this plane, I can only speak in tidbits.
Read more in Arts
"Sabotage" Lacks IntrigueRecommended Articles
-
New Gallery for Woodberry PoetryA new installation at the Lamont Woodberry Poetry Room commemorates a time in Cambridge history when one could dial ‘617-492-1144’ and hear anyone from Allen Ginsberg to the Pope read a poem out loud.
-
Poetasters and Poet-Masters: Slam Night at the Cantab LoungeLast Wednesday at the Cantab Lounge’s weekly poetry slam open mic, no one snapped and hardly anyone wore black.
-
Poetry Reading Plays Beyond Words
-
Fifteen Minutes with Richard BlancoRichard Blanco was the first Latino and first openly gay poet—and the youngest—chosen to write the inaugural poem, and tasked with an impossibly daunting project of depicting today’s America. The night before he was slated to speak at Harvard , he spent a few minutes speaking with FM.
-
Kirill Medvedev: Yes, It's Good
-
Native American’s Latin Poem SurfacesA new Harvard study of a Native American’s eighteenth-century Latin poem reveals new details about colonial-era education at Harvard and substantiates otherwise unconfirmed accounts of the academic success of Benjamin Larnell, the last Native American student in Harvard’s colonial era.