Writer
William Burden
Latest Content
A Photo View of Sports Cars
Writing on the subject of sports cars usually falls into two categories. There is the British school which catalogs some
The Miracle of Fatima
The increasing number of extravaganza movies on religious topics raise a serious question for the churches that endorse them. These
Confidence Men
"The day you learn how to handle people will be a lucrative one for you," promised lecturer Gordon MacKinnon with
Walk East on Beacon
Big Brother may be watching the Russians, but Somebody Else may be watching you. Thanks to the "benefits" of modern
The Newest Freeman
For a magazine of political opinion, The Freeman has changed considerably during the past nineteen months. In its first issues
The Captive City
United Artists deserves credit for this attempt to combine semi-documentary crime data with a plea for grassroot citizen reform. Thanks
All New for '52
During the last four weeks, American automobile makers have been unveiling their new models with all the calculated coyness of
Two on the Aisle
After a seven month run in New York, Bert Lahr's latest vehicle has come to Boston for three weeks. Two
Viva Zapata
The opening shot of a bullet-pocked adobe wall characterizes this "biography" of Emiliano Zapata, Mexico's peasant revolutionary. Twentieth Century Fox
The Hunchback of Notre Dame
The Hunchback of Notre Dame isn't in Technicolor, but with Charles Laughton carrying the title role as a hideously deformed
Panacea in the Parker
"No sir! Politics nowadays ain't what they were back in the eighteenth century--no initiative, no enterprise." This was the first
For Men Only
Despite its suggestive title and an unusually fraudulent advertising campaign. For Men Only is the relatively straight story of a
Wild Blue Yonder
Films like this one may soon replace the comic book as a means of luring students into the R.O.T.C. They
Clouded Yellow
As we left the theatre after watching this latest J. A. Rank thriller, the box office cashier was frantically scrubbing
The Moviegoer
Two murders in the first fifteen minutes set the pace for "The Mob," a B+ cops-and-robbers about waterfront racketeering. Oscar-winning
