Writer
Thomas K. Schwabacher
Latest Content
The Three Sisters
Sometimes, though not often, a play comes along and says, "This is the way you who watch this play are,
The Questioning of Nick and Miss Julie
In an interesting juxtaposition, the Leverett House Dramatic Society is presenting an accredited masterpiece of the modern theater, August Strindberg's
Three Plays by Yeats
The poet William Butler Yeats was also a prolific playwright, with no less than twenty-four dramas, two adaptations from Sophocles,
The Young Stranger
The Young Stranger is a modest film that tells a small story, but it might well be used as an
Raintree County
Raintree County is just another movie, only longer. Not even a Boston premiere featuring a slinky starlet and a brass
Rumple
The new musical comedy Rumple is not really so absurd as its title would suggest. That title, it might be
The Strange One
Whenever a book or a play or a motion picture which deals with a personality at all out of the
Around the World in 80 Days
There is really not a great deal that need be said about this film. From the introduction, delivered by the
Orpheus in Hades
The Lowell House Musical Society appears to be doing its part in the current religious revival at Harvard by undertaking
New Girl in Town
New Girl in Town has all the mass-produced efficiency of a motor car from Detroit. One of the most experienced
Yale Drama Festival
The Yale Undergraduate Drama Festival held in New Haven at the beginning of spring vacation was slightly misnamed. Except for
The Medium and The Telephone
The first production of new theatrical groups all too often are, at best, promising. But the newly formed Dunster House
Lady Chatterley's Lover
D. H. Lawrence's novel Lady Chatterley's Lover has caused a considerable amount of excitement ever since its publication in 1928,
The Death of Don Juan
The HDC New Theatre Workshop has existed for the past two years mostly to give new actors and directors a
Deathwatch
The American premiere of Jean Genet's one-act play Deathwatch brings together the four figures who probably constitute Harvard's top theatrical
