Writer
Anna I. Polonyi
Latest Content
TOME RAIDER
It’s time to dust off the cover of “The Prophet” by Kahlil Gibran. This slim volume of poetic essays is
'Laughter' Dreams Surreally
Steven Millhauser seizes ideas and runs with them—until they’re out of breath and he’s out of words. The Pulitzer Prize
Kertész Sleuths Human Cruelty
The life story of Imre Kertész is so remarkable that, at times, it threatens to overshadow any story he could
OF RAGS AND RICHES
The Harvard Advocate, founded in 1866, boasts the distinction of being the nation’s “oldest continuously published college literary magazine.” Along
TOME RAIDER: Approaching Nowhere
A range of distant mountains on the left, telephone wires on the right, a barren pocked road disappearing into the
Lauded Composer Finishes Residence
Core classes are notorious for having long, unexciting lectures and mind-numbing sections. Given this context, Literature and Arts B-82, “Sayin’
Image
A member of the Harvard-Radcliffe Dance Company performs in Friday evening’s Adams House Pool Theatre show, ‘Off the Page.’
Beckett Storms Harvard Stage
In 1988, Samuel Beckett forbade any of his plays from being performed in the Netherlands because one theater company wanted
Female Artists Rock Queen’s Head Pub
If rock n’ roll and chugging beer are traditionally associated with men, the Harvard College Women’s Center dealt with another
Høeg’s ‘Quiet Girl’ Too Loud
After ten years of silence, Peter Høeg’s fifth novel “The Quiet Girl” hits Danish and international public alike in the
SPOTLIGHT: Felice Frankel
Felice Frankel does not consider herself an artist, though some people might confuse her for one. A Senior Research Fellow
POPSCREEN: Arcade Fire, "Neon Bible"
Arcade Fire “Neon Bible” Dir. Vincent Morisset Frontman Win Butler’s disembodied and zoned-out face greets visitors to a mysterious Web
Palestinian Films Debut Citywide
The first-ever Boston Palestine Film Festival opened with a bang this Saturday at the Museum of Fine Arts (MFA) with
Grbavica: Land of My Dreams
Portrayals of genocide and mass murder victims are so frequent in modern media that our memory and compassion has grown
