Writer
Zhenzhen Lu
Latest Content
Taiwanese Auteur Nostalgic for Old Times
In a crowd, few people would recognize the stout and cheerful-looking Tsai Ming Liang as one of Taiwan’s premier directors.
The Stills Rock T.T. the Bear’s with Punky Pop and Charm
At one point during the Stills’ loud, enthusiastic set at T. T. the Bear’s Place last Tuesday, vocalist Tim Fletcher
Lowell, Dunster Houses Prime for New Spring Opera Season
Every spring, the dining halls in Dunster and Lowell Houses are overtaken—not by mice or prefrosh—but the performers and afficionados
Visuals Review
In the imagination of the artist George Condo, Yankee Doodle has a green cape, a blue leg of blown-glass and
Experts Hopeful Peace is Possible in Middle East
The key to peace in the Middle East lies in examination of past-failed diplomatic negotiations, a panel discussion at the
Grad Reflects on Glory Days Behind Iron Curtain
Five decades ago, Stephen Wechsler ’49, an American soldier stationed in West Germany, jumped into the Danube River to begin
LeBlanc's Book Explores Warfare Through the Ages
In his new book, Constant Battles: The Myth of the Peaceful Noble Savage , Peabody Museum Director of Collections Steven
Notwist Rock T.T. The Bear's
The Notwist produce some of the most interesting sounds in Germany these days. In February, the rock band’s new album
Pusey Exhibits Etchings, Manuscripts of Theater Designer
Dramatic scenes from Hamlet and Macbeth come to life in the wooden engravings and imaginative etchings lining the walls of
Movies on Harvard’s Tab
Video camera and microphone in hand, Ceridwen Dovey ’03 traveled to a winery in Western Cape, South Africa, to film
Film Series Explores Vietnamese Experiences
Helicopters on a maroon sky and images of war-torn My Lai haunted Boylston Hall last Saturday. At the first in
Neurologist Praises Spinoza's Theories
Scientists seeking answers to some of today’s greatest neuroscience questions may find inspiration in the writings of a 17th century
'Commedia dell'arte' Comes to Harvard
“This is my body,” Silvio Castiglioni says, pointing to himself. “But in the theater, this is my body,” he says,
