James R. Salzmann ’02, a Crimson editor and co-producer along with Sarah S. Eggleston ’07, cites the advantages of a mixed troupe: “[The production] is great for those who love to sing but who don’t necessarily receive rigorous training… [Audiences will be] hard-pressed to tell the difference between the Harvard people and the professionals.”

Although LHO has recently relied heavily on Boston-area professionals, the group has made a concerted effort to include more Harvard students in the production. About half of Don Giovanni’s cast is in some way affiliated with the university—whether as a student, alumni, or otherwise. Although some casting preference is usually given to Lowell House residents, none of the cast members this year are house residents.

Salzmann sees the fact that LHO has been able to survive as a testament to the group’s value for the Harvard community. “I think that it’s wonderful that we’ve been able to keep going despite randomization [of the house lottery]. So many house-specific things have gone by the wayside,” he says.

Although there may no longer be many singers, directors, and producers to come out of Lowell anymore, the Lowell spirit has not been lost in Don Giovanni. “Together with Dunster [House Opera], I think we do a lot to continue that spirit of house theatrical tradition that could have been lost,” Salzmann says.

Don Giovanni will run on March 11, 12, 16, 18, and 19 in Lowell House Dining Hall at 8:30 p.m. General $12, students and seniors $8, Lowell House residents $6. Tickets are available through the Harvard Box Office.

—Staff writer Emily G.W. Chau can be reached at egchau@fas.harvard.edu.