"We want someone who will work with the College, who has the feeling that students are interesting," he says.
Rudenstine says Harvard may consider altering the 20-year-old agreement that gives the ART time on the Mainstage in exchange for mentoring students involved with the Harvard Radcliffe Dramatic Club (HRDC).
"That's a decision that was made 20 years ago, and that doesn't mean it can't be remade," Rudenstine says.
The dearth of campus theater space available to undergraduates has been a large problem for the dramatic community in recent years, but some say more time on the Mainstage, as well as increased access to a renovated Hasty Pudding stage in a year, could considerably ease the crunch.
But Shapiro says she would be surprised if the new director of the ART gives more time on the Mainstage to undergraduates.
As is, she says, the relationship between the ART the HRDC is a "two-way street. The professionals are all different--some are particularly interested in working with students, some aren't."
Rudenstine says he hopes to name the new director of the ART by the spring.
Read more in News
Two Students Named Mitchell ScholarsRecommended Articles
-
Directors Consider Moving ARTTop officials from the Loeb Drama Center and Harvard University Art Museums confirmed this week that they have discussed moving
-
Act I, Scene iiIn the mid-'20s, George Pierce Baker, then professor of English, proposed founding a drama school at Harvard. When Harvard administrators
-
Bowersock Will Report On Brustein's ProposalThe standing Committee on Drama will hear a report tomorrow by Glen W. Bowersock '57, associate dean of the Faculty
-
New Leadership Poised for Spotlight at LoebLast Friday, members of the Harvard-Radcliffe Dramatic Club (HRDC) fired questions at the new mover-and-shaker on the Cambridge theater scene,
-
ART ReviewThree student members of the Committee on Dramatics yesterday told the Faculty Council that the administration should promote a closer
-
Wherefore Art Thou, Drama Support Line?When you call Alan P. Symonds '69 at the Agassiz Theatre, a taped voice on the answering machine claims you've