Because headlines are written later at night, after many reporters and editors have gone home, it's impractical to make them responsible for their own headlines.

(Thought it is a good idea--one which was practice in The Crimson's pre-design-conscious past and one which is often raised as a potential plan for the present. Many reporters still make a point of staying late and writing their own headlines anyway).

There's lot to be said for clarity in writing, and usually the clearer the story's lead paragraphs the more accurate the headlines will be.

The essential components for the composition of a good headline are a conscientious headline writer, the right amount of space (which is usually determined by lack) and a little inspiration.

Headlines can be about the most trying words a Crimson editor can put to paper (or computer screen).

At most professional newspapers there is a staff whose main function is to write headlines and maintain expertise in the skills required to produce good ones.

The Crimson's headline writers are mainly reporters and editors who toss out a headline or tow on the side, usually no more than once a week and often less.

Headline writing, like any other skill, is one which can only e perfected through practice and experience, two things Crimson editors don't get enough of in this area.

Often headlines they aren't quite right, and sometimes they are just plain wrong. To prevent this, all Crimson editors can do is be more careful and diligent.

But the many obstacles they face on the way to writing the headline make it tricker than you might think to write one that tells all.