Musicals

Production: Menotti's "The Medium" (Dunster).

Male Lead: Frederick Brozer, as Figaro in Rossini's "Barber of Seville" (Harvard Opera Guild); Ronald Gerbrands, as Basilio in "Barber of Seville"; Harold Scott, as Jupiter in Offenbach's "Orpheus in Hades" (Lowell).

Female Lead: Barbara Blaunchard, as Monica in "The Medium"; Jo Linch, as Madame Flora in "The Medium"; Sarah Jane Smith, as Eurydice in "Orpheus."

Male Support: Thomas Beveridge, as Second Chaplain in Mandelbaum's "The Four Chaplains" (Opera Guild); Malcolm Ticknor, as Aristeus-Pluto in "Orpheus."

Female Support: Alison Keith, as Lady Jane in Gilbert and Sullivan's "Patience" (G & S Society); Peggy Lapsley, as Mrs. Gobineau in "The Medium."

Musical Direction: Bernard Kreger, for "The Medium."

Set Design: Eugene Lew, for "The Medium."

Costume Design: Michyl Paul, for "On the Rocks" (Hasty Pudding).

Lighting: Alan Alberts, for "The Medium."

Workshops

Production: Williams' "The Purification."

Male Performance: Eugene Gervasi, as Corydon in Millay's "Aria Da Capo"; Harold Scott, as The Son in "The Purification"; James Stinson, as Herby in Lawrence's "Six Strings Cut."

Female Performance: Louise Bell, as Gloria in Alonso's "Death of Don Juan"; Phyllis Ferguson, as the sister-in-law in Kaufman's "Babylon Revisited"; Lee Jeffries, as Sally in "Six Strings Cut."

Direction: Glenn Goldburg, for "The Purification."

Original Student Script: Wallis Lawrence, for "Six Strings Cut."

Special

For generally high level of achievement in directing seven major Productions over the past three years: Stephen Aaron.

For his Performance of the dancing mute Toby in "The Medium": Eugene Gervasi.

The Critics Circle is highly Pleased at the increased interest in theatrical activity at Harvard, and hopes that it will continue unabated in the future. The theatre may be, as Brooks Atkinson said recently, "the cruelest of the Professions"; but at the student level its worthwhileness as an extracurricular activity is unsurpassed, both in its many inherent benefits to those taking part and in its cultural and educational stimulus to those beholding it. Has not many a sage told us that all the World's a stage?