If a poem cannot be read aloud, it will eventually fade into obscurity, according to former national poet laureate Robert Pinsky, who spoke in Lamont Library’s Forum Room last night.

Pinsky presented excerpts from the Favorite Poem Project Video Collection, which he said he compiled to create “a snapshot of tshe United States of America through the lens of poetry in the year 2000.”

With the help of filmmaker Juanita Anderson, Pinsky interviewed Americans from a broad range of backgrounds, and had them read poems that they felt were important on camera .

“The medium of poetry...is each person’s body, each person’s voice,” he explained.

“These videos show the relationship between the reader and the poem,” he said.

After Pinsky showed three people’s interviews, he spent an hour answering questions and talking with the audience, which numbered about 50.

Viewers focused their comments primarily on the last video, in which Cambodian immigrant Pov Chin reads Langston Hughes’s “Minstrel Man.”

“She seems extremely American and non-American as well,” said Pinsky.

He said the presence of Chin’s mother on screen served as a reminder of the suffering the family endured when they escaped from Cambodia and made the video particularly moving.

Many audience members also asked Pinsky to elaborate on his assertion that “A poem is not a challenge to see if you can say something smart. A poem is...something that sounds wonderful when you say it.”

To illustrate his point, Pinsky gave an impromptu recitation of Ben Jonson’s “His Excuse for Loving.”

At the same time, Pinsky stressed that intelligence was also crucial to appreciating poetry.

“I like smart things,” he assured a skeptical audience member.

“Poetry for me challenges the intelligence and the body,” Pinsky said.

He cited W.B. Yeats’ “Sailing to Byzantium,” which he said he taped above his toaster when he was 17.