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WEEKLY CALENDAR

CINEMA

CAMBRIDGE

Brattle: AND QUIET FLOWS THE DON, a lengthy version of Shokolov's novel, ends tomorrow.

Starting Sunday: ROSEMARY, a German movie dealing with a streetwalker, is primarily of topical interest. Evenings at 5:30, 7:30, 9:30. TR 6-4226.

University: Through Sunday: After 35 years The UT is breathing its last gasps, and they're not bad. COME SEPTEMBER and THE HONEYMOON MACHINE are both billed as light comedies, and the billings are fair. The first is the story of an annual seduction thwarted on the Riviera; the second, the improbable tale of three sailors in Venice who take over a computer in an attempt to break the Venice Casino. Both are a good change of pace from studying. (The UT will re-open in December under a new management.)

BOSTON

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Fenway: L'AVVENTURA, the longwinded jewel of Italian director Michelangelo Antonini, unwinds the story of decadent Romans on a Sicilian Island and their search for one of their party who is missing. As good or better than La Dolce Vita.

Fine Arts: The best twin bill in Boston at the moment. BLACK ORPHEUS is Marcel Camus' re-telling of the Orpheus-Eurydice myth in modern Rio. Don't go if you're tired; it's excellent but exhausting. Color is spectacular.

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