This is a true--albeit sordid--story of the artistic mentality in turmoil. Names have sometimes been changed, facts occasionally exaggerated, but the pattern remains the same. Harvard's Beat Generation is attempting to survive the summer on a dollar a day--waiting for the publisher's advance, the completed symphony, or a Beacon Street-sponsored gallery exhibition. It is a long, hot, and purgative summer; and, in its way, a time of epic proportions.

ONE

The Rue de Salaud, Cambridge, seven-thirty in the morning. The time-less, homeward, flat-foot tread of the night-cop down Plympton Street; the inchoate giggle of a street-corner Horatio in a black leather jacket; two red eyes in the shadows.

The red eyes belong to a short, unshaven, portly young man with a Saragossa shock of black hair, a pair of plaid suspenders, a polka-dot bow tie, and the look of John L. Lewis with a beer bottle benignancy. His shoe-soles are worn to a sharp angle and he occasionally scratches.

I sketch this scene to convey something of the spirit of the Rue de Salaud--approximately sixteen blocks of cold-water flats, back stairs, and cracked plaster stretching from the Radcliffe Graduate Center to Central Square. This is the Left Bank of the Charles, the garret-estate of the unwashed literati, the tenements of the night-crawler--that interim period creature who walks the Cambridge streets between Commencement and Summer School.

The night-crawler colony of summer artists numbers upwards of a hundred, living in various degrees of leisure from sublet Fresh Pond homes to park benches and sleeping bags. Its members have a particularly difficult lot: the coffee-houses and small cafes are closed; the Brattle shows nothing but popular films; the banks of the Charles are too crowded for contemplation. And the bare bones of sustenance itself present a problem.

Let me tell you about Harold, the red-eyed bowtied young man mentioned earlier. Harold was tossed out of Adams House two weeks before Summer School. He is writing his thesis on Jack Kerouac. He wanders down Massachusetts Avenue in the infant hours with that burdened shuffle of troubled genius. He is typical of the night-crawlers, repressed, rebellious, and vaguely disturbed.

Harold is a writer. Although rejected by the Advocate (a local magazine devoted to literature), he sold a poem to a Greenwich Village little magazine for a free subscription, and an article (under a psuedonym) on trailor-camping to a Western magazine for $120. That $120 has to sustain him for the summer, at the pace of a dollar a day.

Harold sleeps in the Common. He awakes each morning to the sun, a stomach growl, and the stolid stone gaze of Lincoln watching Garden Street--at about seven-thirty. He usually steals a newspaper on the way to the Square (Bernard Goldfine fascinates him), and eats breakfast at the Bick.

Eating is a serious business--a matter of man's ultimate adaptibility, involving both a sinister intuitive sense and a strong constitution. Breakfast is a cup of coffee (with cream for added nourishment) and a ten-cent side order of buttered toast. (Harold watches with a surly vigilance; there's always the chance that the grim, spindly individual who passes for an all-night cafeteria cook might slight students on butter.) Harold is careful not to tear apart and devour the bread; his meal is precise and aristocratic, punctuated with frequent glasses of free water.

Twenty cents.

Mornings are difficult--what with people surging hither and yon in their daily occupations, the assaults of the shoe-shine boys, the little league, the baby carriage brigade and the woman shoppers; the subterranean rumble of the subway, the distant cacophony of bells, the mingled shouts of children and clash of pin-ball machines. Saddened (perhaps by the morning's news or the "No Loitering" sign), Harold sometimes sits at the corner table by the window and counts green book bags passing by or reads Kafka or sublimates with secretaries on their way to work.

In better moods he tours bookshops, or inspects unframed reproductions. (In his room in Adams House Harold has mounted a picture of Dover Beach--clipped from an insurance ad--on the laundry cardboard from his button-down shirts.) Occasonally he wanders to the river, looking for dandelions--the universal symbol of simple innocence and purity. More often, he stands before the plate-glass display of Cardullo's--with a libidinous twitch at the Italian sausage.

By noon, Harold has worked his way to Sage's, where he invests in two dwarfed loaves of French bread (one thin dime a piece). From Brattle Street he ventures to Radcliffe to watch workmen labor over Ada M. Comstock, and eats his loaves of bread. There is a near-by drinking fountain.

Twenty more cents: a total of forty.