The House Plan is in operation. After living for a week in his new quarters in the cupola of the construction shack of Lowell House the Vagabond officially lays claim to the distinction of "first settler", and offers his less informed readers a report on the actual living conditions in one of the new houses.
The cool edge to last week's breeze was a little rough on a pioneer and the Vagabond hopes soon to find some evidence in the blue prints of weather stripping so that future inhabitants can be entrenched tight against the winter's blast. With conditions as they are, however, this does not seem likely, and protection against the cold will probably be confined to the central heating plant.
As House Master--Head Tutor--Tutor--Student resident of Lowell House the Vagabond has been exceedingly busy. And he is justly proud of his record. Not only has his attendance at lectures been regular, but he has had his fourteen meals a week of Freshman Hall food--and enjoyed the comradeship of youth.
Work on the new building appears to be progressing. During the day there has been time for a bit of natural enough scouting around and he has not been idle at night. Frankly, being a conscientious fellow, the Vagabond has felt it his duty to keep an eye on things. So he has done his share of watching and warding.
Everything so far seems satisfactory. The workers present an excellent cross-section of democracy. They give every evidence of enjoying the customary routine of industrious labor. Their conduct is satisfactory and has given no offence to the Vagabond. Casual inquiry into their lunch pails reveals little violation of the law, while their literature so far as the Vagabond's knowledge of reading French and Latin goes, is at present no threat to undergraduate morals.
In fact, the Vagabond is happy enthusiastically to declare Lowell House a success to date. If he can afford the rent, he intends later on to climb five flights to paradise on the sixth floor. Blow the winds as they may, in this remote retreat he will still have one eye on the works.
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THE PRESS