It is natural to attend anything popular-priced rather hesitantly, especially when the epithet is applied to no refined an object as the opera, but the work of the Cosmopolitan Opera Company, at the Arlington for two weeks, leaves absolutely no basis for this fear. A small theater and stage, simple settings, singers not yet widely known--these might be handicaps for such an organization; instead they are transformed into positive aids. The grandiose atmosphere that surrounds the Chicago Company's midwinter performances is lacking; in its place is an enthusiastic group of singers and a fully appreciative audience.

"Rigoletto" was the opera chosen for the opening night. The settings were conventional, a trifle simplified; the costumes constrastingly brilliant. But the manner in which the opera was sung and acted make the strongest impression of the evening: from the lighthearted courtly dance as the curtain rose, to the tragic closing duet of Gilda and Rigoletto, Mr. Franchetti conducted a group of singers that understood not only the musical but the dramatic possibilities of the work. Joseph Royer as Rigoletto, after passing easily through the opening scene, played his role with tremendous power. Mr. Onofrel was appealing as the Duke, Tina Paggi lovely as Gilda; both with clear, sure voices, though Miss Paggi's had little volume. Mr. Challis sang the part of Sparafucile with remarkable power of voice and acting. The excellent chorus combined with the principals to make this opera opening an outstanding musical event.