"The Beautiful Unknown," the American adaptation by Edward Paulton of a spirited Viennese operetta, clearly succeeded in delighting its early audience at the Majestic. Yet to those who remember the notable music of "The Chocolate Soldier" the latest work from the pen of Oscar Straus--with additional numbers by Sigmund Romberg--is somewhat of a disappointment. Not that the music is dull and wholly uninteresting; on the contrary, much of it is quite agreeable. There are some alluring waltz measures, some elaborate ensembles, and a vigorous and stirring march. But the orchestral score is heavy and far from inspired, and the solo pages, in contrast to those of "The Chocolate Soldier," are rather ineffectual.

Despite the familiar material utilized, the book is interesting and its story is coherently told. The plot centers on the attempts of the gallant and worldly-wise (and, as usual, much in debt) Captain Poildeau to find "The Beautiful Unknown," and gives in the running of its course opportunities for various characterizations in both serious and comedy fields. Charles Purcell as Captain Poildeau sings and acts in his usual manner; Miss Follies as "the daughter of the regiment" is dainty and sings prettily; and Miss Odell does an excellent bit of acting in the bazaar scene. Although the comedians--Messrs. Monroe, Judels and Edwards--are persevering and fairly amusing, their lines are not too humorous. The chorus, frequently prominent, is unusually good, particularly in the male element, while the orchestra is more than adequate.

The operetta on the whole is pleasantly tuneful; it is diverting to a limited extent; it is satisfying in the greater part of its acting; gorgeous in some of its settings and pleasing in its spirit. It suffers chiefly in comparison with Straus' splendid former works.