The following programme was presented at the fifth symphony concert last evening:

Overture (Fidelio) Beethoven

Aria (Figaro) Mozart

Symphony in B flat (MS.) Schubert

Siegfried Idvl Wagner

Songs with Piano:

a The Rose and the Nightingale Barnby

b The Lark Rubinstein

Overture (Jubilee) Weber

SOLOIST, MISS HENRIETTA BEEBE.Every number was thoroughly enjoyable, but the singing of Miss Beebe was especially noteworthy. The aria from "Figaro" was well fitted to display the flexible and mellow qualities of the singer's voice, and was rendered with a richness of expression that held the attention of every listener. The orchestral accompaniment was, in one or two passages, a little too heavy for the voice, but this fault was barely noticeable. The rendering of the two songs to Mr. Henschel's accompaniment was exquisite, and the audience responded with enthusiasm, calling Miss Beebe out four times - a thing which has never happened before in the history of these concerts. Schubert's symphony, written when the composer was nineteen years of age, displays all the freshness of youth, with none of the inexperience of the novice. The "Siegfried Idyl" is of a different style from any of the Wagner selections previously given in the course. Labyrinthian in its construction, and delightfully startling in its cadences, it is instinct with the spirit of the dead master. Still it is impossible to get an adequate conception of Wagner's genius as a composer, by hearing simply a detached selection. On the whole, the concert, although hardly up to the standard of the last one, was one of the most enjoyable of the present course.